6 printing trends designers must adopt 2017 Malaysia

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Anyone who’s ever worked on a print design knows that what you design on screen is  is just a single portion of the story depending on condition.

How it’s really printed is as minimum as imperative to the last look of the item, and a sharp comprehension of printing procedures is essential. (For a refresher, look at this article on printing terms each architect has to know.)

However, beside knowing the nuts and bolts, it’s great from time to time to make up for lost time with the most recent advancements in printing, a field that is regularly changing and continually developing. In this post, then, we present to you the patterns each originator has to think about.

Digital Printing Trends – 01. Digital printing and personalisation

Digital printing is being used to incorporate personalisation into print campaigns

Digital printing is just the same old thing new: it’s been around since the 1990s. However, it is turning into an undeniably major ordeal. A current review anticipated that it will achieve 17.4 percent of the esteem and 3.4 percent of the volume of all the world’s print and printed bundling by 2020.

While traditional litho printing uses wet ink and printing plates, digital printing uses toners in a similar way to an office printer. This means it’s generally faster and more economical for smaller print runs. And this has led in turn to a new trend in personalised printing.

The most famous example of the personalised printing trend is Coca-Cola’s ‘Share a Coke With…’ campaign, in which the soft drinks company printed millions of bottle labels bearing hundreds of people’s names. The brand then followed up this success by launching two million unique bottle labels in Israel, using an algorithm to generate a different design for each label.

Other brands have introduced even more interactive ways for consumers to personalise their products. For example, a campaign for Nutella gave UK consumers the option to feature a name of a loved one on a pack of the chocolate spread. Nestle Purina did a similar campaign in the US, where consumers were able to enjoy pictures of their own dogs on the packaging for Just Right dog food.

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Digital Printing Trends – 02. Print shops getting crafty

Alan Smith of With-Print sees print shops becoming more like “print consultants”

“Right now we are getting requests for thermography (raised print that is baked), which is something I was involved in a few times 20 years ago,” says Alan Smith of With-Print, digital print specialists based in Bristol, UK.

“I really promote the hand skills we have and as a company we are always looking for old machines that can help us die cut, foil, de-boss/emboss, stitch, sew and drill. This gives us the chance to control as much as we can in-house. And I find that a successful mix of traditional skills, old technology and new digital printing often produces the best results.

“I find these days that agencies are looking at us more as print consultants,” he adds. “They often have quite complex ideas that can only be achieved with a mixture of the technologies and skills mentioned above. A lot of my time is spent trying to understand what the client wants to achieve and then proposing possible solutions; my design background really helps here.”

Digital Printing Trends 03. Craft shops getting digital

Kastaar used a Vandercook proofing press to print posters like this for a combined analogue/digital campaign.

The letterpress restoration of the 2010s has rapidly turned into a trendy person antique. In any case, high quality printing strategies aren’t just about thinking back to the past, yet are being utilized as a part of crusades that consolidate the best of simple and digital.

Kastaar is a graphic design studio-cum-print shop in Antwerp, Belgium that specialises in rescuing abandoned old printers and recently won a European Design Award. “We’re always looking for ways to combine wood type with the latest new tech like 3D printing, CNC and laser-cutting,” explains Stoffel Van Der Bergh, who runs the studio with An Eisendrath. “We don’t want people to think of wood type as something from the past, but something that’s very much part of the modern digital world.”

So for instance, Kastaar dragged a Vandercook proofing press to Integrated, Antwerp’s design conference, and offered to print posters for attendees based on the best tweets from the event. They overlaid two quotes per poster in a way that each would be revealed if you closed one eye when wearing red-blue 3D glasses. This innovative campaign blew up on social media, and acted as a great example of how to engage people digitally via vintage printing techniques.

Digital Printing Trends 04. Interactive print

Vespa asked 900lbs of Creative to create an AR experience that works in conjunction with a print magazine ad

In a period where purchasers are spending increasingly of their time associating on the web, static plans are losing their allure. So print is getting all the more fascinating and eye-getting to contend.

At the simplest level, we’re seeing more and more use of foil, spot varnish and other textures to grab the attention and engage people’s senses. Going beyond that, more and more print campaigns are harnessing the power of augmented reality (AR) technologies. 

Examples include the Vespa print ad by 900lbs of Creative which let readers create their own customised scooter using AR; and Volkswagen’s billboard ad which, when viewed through an app on your phone, showed its new car bursting out of the billboard in a spectacular fashion.

A few years back, there was a similar craze for integrating physical tech into print ads, such as the print ad for NIVEA featuring a miniature solar panel to power your phone at the beach. That seems to have died down recently, no doubt because it’s just too expensive. But we may it re-emerge soon, thanks to the ongoing development of “next generation paper”, which is being described as a print-and-digital hybrid.

Digital Printing Trends 05. Backlash against digital

Print is returning to prominence in a time of digital backlash

Following quite a while of discuss the decrease in print, voices in the business feel things are turning a corner. Not exclusively is print not dead, from numerous points of view it’s making a rebound.

“Print as a medium for design-related marketing is enjoying a renaissance, in a number of markets,” says Graham Congreve of Evolution Print, award-winning litho, digital and large print specialists in Sheffield, UK. “The tactile and physical nature of print lends itself to ‘considered’ design, but also to the feeling and reaction against an element of digital ‘burnout’ and its lack of permanence.

“For example, a number of our magazine titles have joined us from the purely digital arena, seeking out the added values of this physical alternative. Books are more and more intricate, hard bound or soft, and special editions often enhance a cheaper, longer run alternative, and an online campaign.

“Posters are bold and often feature special colours, and across the board of all markets we’re seeing the imaginative use of vastly different substrates, and often within the same suite of finished pieces.”

Much of this is down to good marketing by paper manufacturers, he notes. “But it’s also due to the energy and passion of the new breed of designers, often working with craft-based and print obsessive tutors in colleges, that are opening up new opportunities for their students and the print community.”

Digital Printing Trends 06. The “Leave Behind”

Bringing something to a meeting for your client to take away with them can help ingrain your pitch in their memory

Finally, Alan Smith of With-Print identifies a recent mini-trend in print design that’s specific to creative agency pitches: what he calls the ‘Leave Behind’ for clients.

“This is part of the presentation that should wow,” he explains. “We’ve been known to produce 10 personalised invites to a pitch, each detailing a particular member of staff and their strengths. This invite was foiled with the client logo and put into handmade envelopes. The company won that pitch.

“More simply (and I encourage this) we’ve produced ‘live’ samples of the finished books/leaflets/business cards so that the designer can pitch with a real item in their hands. This goes down very well. Essentially, this trend is about companies demonstrating they can add value to the client; the better the ‘Leave Behind’, the more chance you have to win.”

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